The paintings executed in 1964-1967 by American artist
Mark Rothko for the Rothko Chapel in Houston represent the fulfillment
of the artist's lifelong ambition and a breakthrough in twentieth-century
art. Unlike previous sets of paintings commissioned for the Seagram Building
and Harvard University, the Chapel commission allowed Rothko to determine
the architectural setting and lighting in which the paintings would appear.
This proved to be the catalyst for a new mode of pictorial dynamics based
on a kind of interaction of paintings, architecture, and light previously
unknown. No painting in the set could be understood in isolation from
the rest or apart from its place in the architectural setting.
The Rothko Chapel Paintings explores this interdependence
of paintings and place. As viewers move about the Chapel's octagonal enclosure,
over whose walls the fourteen panels are continuously distributed, they
discover systems of pictorial interactions which become the terms or characters
of a cosmological drama in which the viewer is a necessary participant.
In the act of vision, the embodied viewer is prompted not merely to witness
but also to reenact that questioning of human destiny which has preoccupied
the Western spiritual tradition.
teaches twentieth-century art and classical art, especially Roman, at
the University of California, San Diego. He is the author of Marden,
Novros, Rothko: Painting in the Age of Actuality.
Copublished with the Menil Foundation, Houston, Texas
7 3/4 x 10 1/4 in., 359 pp., 21 color and 96 b&w photos
*Review from University of
Texas Press Catalogue